A German Youth / Resistance New Horyzon 2017

archive cinema Jakarta University 2009

documentation as an aesthetic strategy Gama 2009

a few elements for another vision: of the Red Army Faction story Vertigo 2007

introduction to a retrospective Pesaro film festival 2007



Jean-Gabriel Périot interview Videomedeja A Quarter of Century 2024

I needed to understand how, in certain situations, film can save lives (about Facing Darkness) Cineuropa 2023

Facing Darkness press kit 2023

The Film as Counter-History Factory Who Owns The Images 2022

The cinema remains alive when it is diverse Sense of Cinema 2022

Working With Archives: Jean-Gabriel Périot’s method Business doc Europe 2021

Press kit Returning to Reims 2021

interview about Our Defeats El Salto diaro 2020

adapting Don DeLillo, about Looking at the Dead Cristina Garrigos 2019

interview with Jean-Gabriel Périot Susterranean films 2018

an interview with Jean-Gabriel Périot MisterMotley 2017

Humanism and Chimera IndieLisboa 2016

On the timeless questions in A German Youth The Hamptons films festival 2015

Une Jeunesse Allemande - Jean-Gabriel Périot in conversation with Klaus Vom Bruch Dust 2015

Violence is always the result and the symptom of social or political problems Elagentecine 2015

Our Days, Absolutely, Have to be Enlightened bieff 2013

the artist and the craftsman Nolavie 2013

against answers Philadephia international house 2013

it is easier to share with people a story of images in images... Filmmakers by themselves 2013

answers to Miguel Soler 2012

interview Jurnal footage 2011

political and politically Gdansk film festival 2011

alternatives on Alternative Film Festival Film21 2011

Jean-Gabriel Périot from France Abu Dhabi film festival 2011

interview Ruangrupa 2010

interview Oslo screen 2010

interview ConCan festival 2010

Entre chiens et loups Rotterdam film festival 2009

interview QG 2009

questions for Jean-Gabriel Periot Exklusiv 2009

my favorite obsessive-compulsive political filmmaker Bluefat 2009

interview Sapporo film festival 2008

interview Japan media art 2008

interview Hiroshima City Museum of Contemporary Art 2008

interview about Nijuman no Borei Punto de vista film festival 2007

for another notion of work... or how to resist the ruins of happiness Pesaro film festival 2007

interview with one of the best French video artist, worker and gay, political and ironical Mix Brasil 2006

interview about Dies Irae inshort festival 2006

interview Hi Mom! film festival 2006

interview Hi Mom! film festival 2005




The Filmmakers Who Recorded the Siege of Sarajevo Hyper Allergic 2023

Facing Darkness The Film Verdict 2023

Facing Darkness Cineuropa 2023



Brave New World: the 2021 Cannes Film Festival Sense of Cinema 2021

Returning To Reims [Fragments], freedom from political ideology Pop Matters 2021

Adèle Haenel narrates a damning tale of post-WWII French history in Returning to Reims The Film Stage 2021

Blue is the Warmest Collar: Periot’s Projects a Sublime Visualization of Potent Memoir Ion Cinema 2021

Returning To Reims: Cannes Review Screen Daily 2021

Returning to Reims – Cannes 2021 review A Room With A View 2021

Returning to Reims Film Uforia 2021

Returning to Reims In Review 2021

Returning to Reims International Cinephile Society 2021

Highlights of the New York Film Festival, Returning to Reims The New Yorker 2021

Returning to Reims cineuropa 2021



School for solidarity Modern Times 2019

Our Defeats ('Nos defaites'): Film Review Hollywood Reporter 2019

The Centre Cannot Hold: the 2019 Berlinale, Nos Défaites Review Sense of cinema 2019



Summer lights V Cinema 2017

Summer Lights, a haunting Hiroshima fable The Hollywood Reporter 2016

Summer Lights, so much more than a holiday tale Cineuropa 2016



Une jeunesse allemande, Gerd Conradt Interview Exberliner 2015

A German Youth, San Francisco In'tl Film Festival The Examiner 2015

A German Youth, Berlin Review Hollywood Reporter 2015

film review: A German Youth Variety 2015

A German Youth Fourthreefilm 2015



the devil by Jean-Gabriel Périot cineuropa 2014

Under Twilight Found Footage magazine 2022

Eût-elle été criminelle... Zacheta Galery 2014

The Barbarians ZKM global aCtIVISm 2013

The Barbarians Herzliya museum 2013

on social critique: Les Barbares instant cinema 2011

Dies Irae Filmthreat 2011

animated project Time Out 2007

Even If She Had Been a Criminal: A Past Unwatched France Guerin 2018

Even If She Had Been A Criminal... Krieg exhibition 2010

Jean-Gabriel Périot animated 2008

Even If She Had Been A Criminal... videonale 2007

21.02.04 Artes Magazine 2013



Confronting Histories: A Jean-Gabriel Périot Retrospective Balkan Diskurs 2017

History Director's cut: Radical Art by Jean-Gabriel Périot DokLiepzig 2014

the shape of the archive San Francisco moma 2013

remembering history, reconstructing memory moving image 2013

stopped forward motion: Jean-Gabriel Périot at MoMA cinespect 2013

Preview: Film Love showcases compelling shorts Arts Atlanta 2013

made you look Austin chronicle 2013

short works by Jean-Gabriel Périot ata 2013

Reel Politics The Activist Writer 2013

a political filmmaker filmmakers by themselves 2013

focus Jean-Gabriel Périot FIC Valdilia 2012

Jean-Gabriel Périot’s retro Aarhus culture 2012

telling stories through archives Jakarte Post 2011

Périot offers a dose of reel politics Jakarta Globe 2011

introduction for the retrospective Tampere film festival 2007

portrait: The world Pesaro film festival 2007

war memorials and the Logistics of Mass Extermination memory in motion 2007

not your mother's film festival Independent Weekly 2005